Showing posts with label suzanne collins. Show all posts
Showing posts with label suzanne collins. Show all posts

Sunday, March 20, 2011

The Hunger Games by Suzanne Collins

In the post-Harry Potter world, it seems we may be condemned to an endless cycle of Next Big Things from the Young Adult world. Twilight was there to console us when we realized there were no more Potter books coming, and The Hunger Games has followed in that book's wake into the public consciousness. The film is already in production, of course. The loser in this new world order is probably Dan Brown, who will probably have to write a book for teenagers if he's ever going to be popular again.

I am a fan of Harry Potter but I have refused to read Twilight, which seems unbearable. One of my students asked me to read The Hunger Games, which is better written and more imaginative than Twilight, but a poor substitute for Harry Potter. Firstly, it cribs shamelessly from a Japanese novel/manga called Battle Royale: both are about teenagers being selected by a despotic government to compete in a brutal competition where the last survivor wins. In both books, this is depicted as a means of controlling the population through fear; in The Hunger Games it is also a punishment for a long-ago populist insurrection.

The protagonist of The Hunger Games, Katniss Everdeen (ugh), volunteers to go in place of her little sister, who has been chosen by lottery. As each "district" must send two competitors, she is joined by Peeta Mellark (ugh), a local baker's son, and assisted by a former winner from her district whose alcoholism renders him less than helpful. For a competition in which the competitors are chosen at random, the representatives from the other eleven district seem to be have unusually advanced combat skills.

The Hunger Games is characterized by its inconsistency, but occasionally exhibits imaginative flair. It flirts with social commentary by turning the Games into a kind of televised spectacle. The audience can contribute money to "sponsor" competitors, who receive helpful gifts by parachute; competitors from the wealthier districts naturally have an advantage. Katniss, Peeta, and their mentor Haymitch operate according to a peculiar game plan: If they pretend that Peeta and Katniss are in love, then the popularity of their televised romance will provide them with sponsors. And maybe, just maybe--spoiler alert--the "Gamemakers" will change the rules of the game so that two competitors from the same district can win.

I have two issues with this. The first is that it is stupid. Not only does it lead to an awful lot of teenage makeouts on the killing field, assuming that your romance would provide the leverage to force the hand of the all-powerful regime in the Capitol is a horrible plan. Unsurprisingly, it works.

The second problem is more significant: It thematically undermines the book. The Capitol controls the population through propaganda, of which the Games are a central part, and we are meant to be appalled by how willing people are to tune in to teenagers being murdered on their TV. But the love scheme (to the extent that it is a scheme and not the precursor of a real romance) turns Peeta and Katniss into propagandists. This dystopia is characterized by an obsession with appearances and media, why then are Peeta and Katniss' "stylists" depicted as guardian angels, who sympathize with their plight and help them win? Katniss wants to rebel against the brutality of the system, but her success in the Games looks conspicuously like a validation of that system's efficacy.

I fear that these problems are impossible to fix because the book is by nature contradictory. Yes, the system is brutal and the population bloodthirsty and shallow, but the pleasure we get out of reading about teenagers speared or burned or bludgeoned to death is uncomfortably like the pleasure the Capitol provides its audiences. If Collins were a better writer, this might be tempered by some grave reflection on death--not unheard of in children's fiction--but what minor guilt Katniss shows is fleeting and thin. Death in The Hunger Games is popcorn stuff, and will probably look spectacular on the big screen, but looking spectacular may be all it can manage.


Other reviews:

Jim
Carlton
Brent

The Hunger Games by Suzanne Collins

“Only I keep wishing I could think of a way to…to show the Capitol they don’t own me. That I’m more than just a piece in their Games”


The Hunger Games
, the newest YA literary phenom, is a dystopic young adult novel that plays like a mashup of Battle Royale, Stephen King's The Running Man and The Long Walk, and elements from pretty much every other dystopian book you can think of. That's not to be derogatory, just to let you know what you're in for: it's difficult to find a truly original element in the world of the Games.


The basic story is this: every year, the government chooses two children from each district, aged between 12 and 18, to compete in The Hunger Games. The winner is awarded wealth and comfort for the remainder of their life; the losers are dead.


The real centerpiece of the story is the narrator, Katniss, a 14-year-old girl who enters the titular games voluntarily, replacing her younger sister. She's a fairly complex character, with conflicting emotions and motivations that rarely feel less than genuine. She's smart and capable of brutality, yet tender and caring toward those she chooses. There's not a whole lot of romance, which is nice, but what there is feels a little silly compared to the rest of the story.


Calling the prose utilitarian is pretty accurate. Throughout the entire novel, I can't recall one memorable line or dialog. It's told in the first person present, which can be kind of annoying. I've read comments where people compliment the writing style as being no-nonsense or whatever, but it was probably the largest con of the book for me--I would have gotten as much out of a screenplay and it would have read even faster. Also, the ending was extremely anticlimactic, even taking into account that this is the first part of the trilogy.

I enjoyed The Hunger Games, although it might be hard to tell from this review, but I don't know if I'm going to be reading the rest. There just doesn't seem to be enough original content here to justify the hype.

Thursday, March 12, 2009

The Hunger Games by Suzanne Collins

"Katniss, it's just hunting. You're the best hunter I know," says Gale.
"It's not just hunting. They're armed. They think."
"So do you. And you've had more practice. Real practice," he says. "You know how to kill."
"Not people," I say.
"How different can it be, really?" says Gale grimly.
The awful thing is that if I can forget they're people, it will be no different at all.

Katniss Everdeen lives in District 12 of Panem, the dictatorship that rose from the ashes of the United States. The Capitol of Panem is surrounded by 12 districts, which it rules with an iron fist, a "fist" that obliterated the revolutionary District 13. District 12 mines coal, and seems to would no doubt at one time been called Apalachia. As a reminder of its power, the Capitol hold the annual Hunger Games. Two teenagers are chosen from each district to fight to the death in a place referred to as "the arena." The last man or woman standing gets to live out the rest of his or her life in relative luxury. Katniss little sister is chosen during this draft, but Katniss volunteers to go in her stead. The other teenager "reaped" from District 12 is Peeta Mellark, who has a bit of history with Katniss. Of course, this is someone who Katniss must view with a kill-or-be-killed mentality.

This book is equal parts: Running Man, Survivor, and Lord of the Flies, with just a dash of teenage romance. The relationship between Katniss, Peeta, and her "friend" from District 12, Gale fits into the YA fiction model. That is to say, it is not very interesting, nor noteworthy. The action that takes place within the arena, however, is worth mentioning. The book is incredibly violent. Blood is nearly its own character. Children are impaled, stung to death, and eaten alive -- not by other contestants, cannibalism is one of the few no-nos in the Hunger Games.

The novel reads quickly, in large part because there are no flourishes to Collins prose. It is fairly straight forward and to the point. Most of the plot moves rapidly, mimicking the pace of its characters as they attempt to outrun and outsmart each other. The second half slows down a bit, with Katniss trying to nurse Peeta back to health. I am sure that Collins was trying to make a statement about the effects of violence and war on children, but there was not enough psychological development of her characters for this to be effective. There were some minor plot points that I simply had to look over. For example, these "games" were supposedly televised to the entire country of Panem, but at no point does Katniss mention seeing a camera. There were other similar plot devises that while annoying did not have a huge effect on my enjoyment of the book.

For YA fiction, this was pretty good.