You, Ruben Blum, are out of history; you're over and finished; in only a generation or two the memory of who your people were will be dead, and America won't give your unrecognized descendants anything real with which to replace the sense of peplehood it took from them; the boredom of your wife--who's tearing your program up into little white paper pills she'd like to swallow like Percodan--isn't merely boredom with you or her work or with the insufficiency of options for educated women in this country; it's more like a sense of having not lived fully in a consequential time; and the craziness of your daughter isn't just the craziness of an adolescent abducted from the city to the country and put under too much pressure to achieve and succeed; it's more like a raging resentment that nothing she can find to do in her life holds any meaning for her and every challenge that's been thrust at her--from what college to choose to what career to have--is small, compared to the challenges that my boys, for example--whom she's been condemned to babysit--will one day have to deal with, such as how to make a new people in a new land forge a living history. Your life here is rich in possessions but poor in spirit, petty and forgettable, with your frigidaires and color TVs, in front of which you can munch your instant supper, laugh at a joke, and choke, realizing that you have traded your birthright away for a bowl of plastic lentils...
Ruben Blum is the only Jewish faculty member at Corbin University, a small liberal arts college in the vast icefields between Albany and Buffalo, and the only Jewish person--excepting his wife and daughter--in the town of Corbindale. He's treated well, though condescendingly, though no one else seems satisfied with this role: not his wife, Edith, shouldered into menial work at the college library, not Edith's cosmopolitan parents, who look at Corbindale as a site of rural horrors, not his own parents, who believe he has forsaken the Bronx community of Jews that raised him. And certainly not his daughter Judy, who--in one of the novel's most, but not only, shocking scenes, plants her face in front of a doorknob so that her noticeably Jewish nose will at last be broken and repaired. Into this ripe pit of dissatisfaction a group of strangers enters: the family of Ben-Zion Netanyahu, an Israeli historian interviewing for a position at Corbin, and whom Ruben has been asked to shepherd around campus.
The Netanyahus is based on a real anecdote told to Cohen by the late Harold Bloom, another Jewish scholar who left the Bronx behind for the cold wilds of Northeastern academia. Bloom really was asked to host Ben-Zion Netanyahu, whose middle son Benjamin would later become the longest-serving prime minister of Israel. Bibi plays a surprisingly small role in the novel: he and his brothers enter the Blum household like three tiny tornados, fighting among each other and breaking television sets. It's Ben-Zion who really threatens to upend the fragile balance of Ruben Blum's existence. He's irascible, self-absorbed, contemptuous of the job offer and the school, and of the life that Blum leads willfully in America (while presenting himself as a kind of exile). Ben-Zion's scholarship focuses on the Jews of Medieval Iberia, but this description is too narrow: because the Jews have been caught in cycles of expulsion and reabsorption, he argues, they have truly been outside of history. Only the creation of the state of Israel brings to the Jews the possibility of living within history:
The world is full of real events, real things, which have been lost in their destruction and are only remembered as having existed in written history. But Zion, because it was remembered not as written history, but interpretable story, was able to exist again in actuality, with the founding of the modern state of Israel. With the establishment of Israel, the poetic was returned to the practical. This is the first example ever in human civilization in which this has happened--in which a story became real; it became a real country with a real army, real essential services, real treaties and real trade pacts, real supply chains and real sewage. Now that Israel exists, however, the days of the Bible tales are finished and the true history of my people can begin and if any Jewish Question still remains to be answered it's whether my people have the ability or appetite to tell the difference.
A careful letter from a concerned Israeli scholar describes Ben-Zion as a zealot, a dangerous man, and when at last he arrives in Corbindale, this assessment is hard to doubt. The way "the Yahus"--Ben-Zion, wife Tzila, children Jonathan, Benjamin, and Iddo--thoughtlessly take over the Blum household provides the novel with a manic energy punctuated by tremendous comedy. But Blum is unsettled, too, by what Ben-Zion says. It is true that the faculty chose Blum to babysit the Netanyahus because he's Jewish; though he is a scholar of American history his Jewishness can be abrogated or activated by his superiors at will. Certainly there is something frightening in the way his daughter Judy wishes to erase the very Jewishness of her face. Is Dr. Netanyahu's zealous Zionism the only alternative to expulsion or erasure? Would anyone in Corbindale say to Blum, as Ben-Zion does--though they clearly dislike each other--"And if the situation were reversed and your feet were in my shoes and you came to Israel, I'm not positive I could get you a job, but I'd do absolutely everything to find you a good apartment, and in a war, I'd die for you?"
I would leave it to a Jewish reader to say whether The Netanyahus resonates with the dilemmas of Jewish identity in the 20th century, but for me it seemed like a plausible and powerful presentation of the question, "How should a Jewish person be?" It's funny how a book set in upstate New York manages to outline so deftly the way the project of Israel intersects and makes demands on questions of Jewish identity, ones that might seem--to us goyim--as simplistic or strange. The Netanyahus is on Blum's side, not Ben-Zion's, whatever that might mean, but it captures what is so urgent in that worldview.
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