My favorite story in Patrick White's collection The Burnt Ones is "Down at the Dump." Set in the suburban Sydney town of Sarsparilla, it tells the story of two young people finding an unexpected connection. One, a young girl, is at the cemetery for the funeral of her eccentric aunt. The other, a boy, is from a family of poor bogans who go searching for things to sell in the dump. It just happens that the cemetery and the dump are right next to each other, separated by only a fence, across which the two teens meet and connect, or not quite, and then over which they start making out. It's a perfect Patrick White story, about the rottenness and spoil beneath suburban gentility. There's a fantastic moment when the spirit of the dead aunt looks out over her mourners, symbolically mixing the spiritual realm with literal trash. And there may be no more setting where White is more at home than the dump, which he describes in his characteristic way: "At the last dip before the cemetery a disembowelled mattress from the dump had begun to writhe across the road. It looked like a kind of monster from out of the depths of somebody's mind, the part a decent person ignored."
About half the stories are set in Sarsparilla, about another half are set in Greece or are about ex-pat Greeks. The title The Burnt Ones refers to the Burning of Smyrna, a moment in which the Turkish regime set a massive fire to the Greek quarter of what is modern Izmir, killing tens of thousands. Nearly all of the Greeks in the novel experienced this, and it colors their experience of their new homes, whether in Greece, Australia, or America, and the immediacy of its horrors contrasts with the petty psychodramas of the collection's suburban Australians. Yet, we see too how easily the Greeks, having fled this "shuffle of history," are re-subsumed into polite schemata of respectability and repression. (White writes often about Greece and Greeks, presumably inspired by his longtime partner, a Greek named Manoly Lascaris.) My favorite of these stories was "Being Kind to Titina," about a boy who tortures an awkward young girl whom he has been instructed to be kind to. She grows up and, of course, turns out to be hot, and though she only remembers him as being kind, his own cruelty tortures and keeps him from being with her. It's a story that reminds you that White can be funny:
But Titina stuck. She stuck to me. It was as if Titina had been told. And once in the garden of our house at Schutz, after showing her my collection of insects, I became desperate. I took Titina's blue bead, and stuck it up her left nostril.
'Titina,' I cried, 'the holes of your nose are so big I'd expect to see your brain -- if you had any,' I shouted, 'inside.'
But Titina Stavridi only smiled, and sneezed the bead in to her hand.
Other stories I liked: "A Cheery Soul," about a woman who annoys everyone she comes in contact with; "Clay," about a boy whose mother worries about him being unusual--a bourgeois anxiety, of course, but then he turns out to be legitimately mad. And I especially liked "Miss Slattery and Her Demon Lover," about a young female door-to-door salesman who chucks everything for a slovenly Bulgarian she meets on her route, and who turns out to have a huge fetish for being whipped. I didn't think it was as strong, generally, as his other story collection The Cockatoos, though it's been many years since I've read that one. Sadly, I can see my stock of White's books dwindling--three leftover stories, a half-finished novel, and his memoirs are all I have left.
No comments:
Post a Comment